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The Unbearable Saki: Available Copies

314 pages. Light wear, shelf-rubbing to dust jacket, lower front corner slightly bumped. Clean, tight copy. Record # 453075

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Saki is the acknowledged master of the short story. His writing is elegant, economical, and witty, its tone worldly, flippant irreverence delivered in astringent exchanges and epigrams more neat, pointed, and poised even than Wilde's. The deadpan narrative voice allows for the unsentimental recitation of horrors and the comically grotesque, and the generation of guilty laughter at some very un-pc statements. Saki's short stories have been much reprinted as well as adapted for radio, stage, and television, but his novels, The Unbearable Bassington and When William Came, are almost unknown, his journalism and travel writing forgotten, and his plays rarely performed. Sandie Byrne argues that his reputation has been unfairly overshadowed by his predecessor Oscar Wilde, contemporary George Bernard Shaw, and successors P.G. Wodehouse and Evelyn Waugh. In a well-meaning introduction to the Penguin Complete Saki, Noël Coward reinforced the received image of Saki's work as celebrating an Edwardian or even Victorian milieu of privilege, luxury, and affectation; comedies of manners and light satire. Byrne shows that Saki's writing was no nostalgic evocation of a lost golden age, and that he was rarely concerned with the charm and delight Coward describes. His preoccupations were with England, the values of Empire, and the dangerous beauty of the feral ephebe. The threat to the first two of these triggered his alleged metamorphosis from cosmopolitan cynic and dandy-about-town to patriotic, even jingoistic, NCO, in a manner worthy of his blackest humour.

New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000

In

A revaluation of the work of the popular Edwardian short story writer, novelist, journalist, blackest of black humorists, and master of the sting in the tale, Saki (H.H. Munro). Num Pages: 328 pages, black & white illustrations. BIC Classification: DSBH. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 222 x 147 x 29. Weight in Grams: 594. . 2007. Reprint. hardcover. . . . .

Unread book in perfect condition.

Hardcover. Saki is the acknowledged master of the short story. His writing is elegant, economical, and witty, its tone worldly, flippant irreverence delivered in astringent exchanges and epigrams more neat, pointed, and poised even than Wilde's. The deadpan narrative voice allows for the unsentimental recitation of horrors and the comically grotesque, and the generation of guilty laughter at some very un-pc statements.Saki's short stories have been muchreprinted as well as adapted for radio, stage, and television, but his novels, The Unbearable Bassington and When William Came, are almost unknown, his journalism and travel writing forgotten, and hisplays rarely performed. Sandie Byrne argues that his reputation has been unfairly overshadowed by his predecessor Oscar Wilde, contemporary George Bernard Shaw, and successors P.G. Wodehouse and Evelyn Waugh.In a well-meaning introduction to the Penguin Complete Saki, Noel Coward reinforced the received image of Saki's work as celebrating an Edwardian or even Victorian milieu of privilege, luxury, and affectation; comedies of manners and light satire. Byrneshows that Saki's writing was no nostalgic evocation of a lost golden age, and that he was rarely concerned with the charm and delight Coward describes. His preoccupations were with England, the values of Empire,and the dangerous beauty of the feral ephebe. The threat to the first two of these triggered his alleged metamorphosis from cosmopolitan cynic and dandy-about-town to patriotic, even jingoistic, NCO, in a manner worthy of his blackest humour. A revaluation of the work of the popular Edwardian short story writer, novelist, journalist, blackest of black humorists, and master of the sting in the tale, Saki (H.H. Munro). This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

This item is printed on demand. New copy - Usually dispatched within 5-9 working days

Hardcover. Saki is the acknowledged master of the short story. His writing is elegant, economical, and witty, its tone worldly, flippant irreverence delivered in astringent exchanges and epigrams more neat, pointed, and poised even than Wilde's. The deadpan narrative voice allows for the unsentimental recitation of horrors and the comically grotesque, and the generation of guilty laughter at some very un-pc statements.Saki's short stories have been muchreprinted as well as adapted for radio, stage, and television, but his novels, The Unbearable Bassington and When William Came, are almost unknown, his journalism and travel writing forgotten, and hisplays rarely performed. Sandie Byrne argues that his reputation has been unfairly overshadowed by his predecessor Oscar Wilde, contemporary George Bernard Shaw, and successors P.G. Wodehouse and Evelyn Waugh.In a well-meaning introduction to the Penguin Complete Saki, Noel Coward reinforced the received image of Saki's work as celebrating an Edwardian or even Victorian milieu of privilege, luxury, and affectation; comedies of manners and light satire. Byrneshows that Saki's writing was no nostalgic evocation of a lost golden age, and that he was rarely concerned with the charm and delight Coward describes. His preoccupations were with England, the values of Empire,and the dangerous beauty of the feral ephebe. The threat to the first two of these triggered his alleged metamorphosis from cosmopolitan cynic and dandy-about-town to patriotic, even jingoistic, NCO, in a manner worthy of his blackest humour. A revaluation of the work of the popular Edwardian short story writer, novelist, journalist, blackest of black humorists, and master of the sting in the tale, Saki (H.H. Munro). This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

A revaluation of the work of the popular Edwardian short story writer, novelist, journalist, blackest of black humorists, and master of the sting in the tale, Saki (H.H. Munro). Num Pages: 328 pages, black & white illustrations. BIC Classification: DSBH. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 222 x 147 x 29. Weight in Grams: 594. . 2007. Reprint. hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Saki is the acknowledged master of the short story. His writing is elegant, economical, and witty, its tone worldly, flippant irreverence delivered in astringent exchanges and epigrams more neat, pointed, and poised even than Wilde's. The deadpan narrative voice allows for the unsentimental recitation of horrors and the comically grotesque, and the generation of guilty laughter at some very un-pc statements. Saki's short stories have been muchreprinted as well as adapted for radio, stage, and television, but his novels, The Unbearable Bassington and When William Came, are almost unknown, his journalism and travel writing forgotten, and hisplays rarely performed. Sandie Byrne argues that his reputation has been unfairly overshadowed by his predecessor Oscar Wilde, contemporary George Bernard Shaw, and successors P.G. Wodehouse and Evelyn Waugh. In a well-meaning introduction to the Penguin Complete Saki, Noel Coward reinforced the received image of Saki's work as celebrating an Edwardian or even Victorian milieu of privilege, luxury, and affectation; comedies of manners and light satire. Byrneshows that Saki's writing was no nostalgic evocation of a lost golden age, and that he was rarely concerned with the charm and delight Coward describes. His preoccupations were with England, the values of Empire,and the dangerous beauty of the feral ephebe. The threat to the first two of these triggered his alleged metamorphosis from cosmopolitan cynic and dandy-about-town to patriotic, even jingoistic, NCO, in a manner worthy of his blackest humour. A revaluation of the work of the popular Edwardian short story writer, novelist, journalist, blackest of black humorists, and master of the sting in the tale, Saki (H.H. Munro). This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Print on Demand pp. 330 44:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Case Laminate on Creme w/Gloss Lam

Print on Demand pp. 330

PRINT ON DEMAND pp. 330

Saki is the acknowledged master of the short story. His writing is elegant, economical, and witty, its tone worldly, flippant irreverence delivered in astringent exchanges and epigrams more neat, pointed, and poised even than Wilde's. The deadpan narrative voice allows for the unsentimental recitation of horrors and the comically grotesque, and the generation of guilty laughter at some very un-pc statements. Saki's short stories have been much reprinted as well as adapted for radio, stage, and television, but his novels, The Unbearable Bassington and When William Came, are almost unknown, his journalism and travel writing forgotten, and his plays rarely performed. Sandie Byrne argues that his reputation has been unfairly overshadowed by his predecessor Oscar Wilde, contemporary George Bernard Shaw, and successors P.G. Wodehouse and Evelyn Waugh. In a well-meaning introduction to the Penguin Complete Saki, Noël Coward reinforced the received image of Saki's work as celebrating an Edwardian or even Victorian milieu of privilege, luxury, and affectation; comedies of manners and light satire. Byrne shows that Saki's writing was no nostalgic evocation of a lost golden age, and that he was rarely concerned with the charm and delight Coward describes. His preoccupations were with England, the values of Empire, and the dangerous beauty of the feral ephebe. The threat to the first two of these triggered his alleged metamorphosis from cosmopolitan cynic and dandy-about-town to patriotic, even jingoistic, NCO, in a manner worthy of his blackest humour.

nach der Bestellung gedruckt Neuware - Printed after ordering - Saki is the acknowledged master of the short story. His writing is elegant, economical, and witty, its tone worldly, flippant irreverence delivered in astringent exchanges and epigrams more neat, pointed, and poised even than Wilde's. The deadpan narrative voice allows for the unsentimental recitation of horrors and the comically grotesque, and the generation of guilty laughter at some very un-pc statements. Saki's short stories have been much reprinted as well as adapted for radio, stage, and television, but his novels, The Unbearable Bassington and When William Came, are almost unknown, his journalism and travel writing forgotten, and his plays rarely performed. Sandie Byrne argues that his reputation has been unfairly overshadowed by his predecessor Oscar Wilde, contemporary George Bernard Shaw, and successors P.G. Wodehouse and Evelyn Waugh. In a well-meaning introduction to the Penguin Complete Saki, Noël Coward reinforced the received image of Saki's work as celebrating an Edwardian or even Victorian milieu of privilege, luxury, and affectation; comedies of manners and light satire. Byrne shows that Saki's writing was no nostalgic evocation of a lost golden age, and that he was rarely concerned with the charm and delight Coward describes. His preoccupations were with England, the values of Empire, and the dangerous beauty of the feral ephebe. The threat to the first two of these triggered his alleged metamorphosis from cosmopolitan cynic and dandy-about-town to patriotic, even jingoistic, NCO, in a manner worthy of his blackest humour.

The Unbearable Saki | The Work of H. H. Munro | Sandie Byrne | Buch | Gebunden | Englisch | 2008 | OUP Oxford | EAN 9780199226054 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand

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