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Great Science-Fiction a critical list with discussions Some Candidates For the Science-Fiction & Fantasy Book Lists"'The Observer will decide,' I said."--Kiteworld, Keith Roberts Why These Are Not Yet in the ListsRegrettably, I have been spared little time of late for the development of this site. While I hope and expect that I will be returning to a heavier commitment to it soon now, in the meantime I thought to augment the site a bit with a list of some yet-unlisted (here) books by authors already in the lists. The attentive visitor to this site will have noticed that the main lists already contain books not yet read by me--all duly marked with a # sign before the title--and so may wonder why the particular unread books here are not also in those lists. Well, there are some authors who are so good that anything by them can be trusted; and there are others who, if not "for the ages", are both acceptably good and consistent. Works by either sort may, in my opinion, be recommended unread, subject to two provisos: first, that the recommender--me, in this case--makes it clear that the recommendation is based on repute, not an actual reading; and second, that the book eventually be read and, if regrettably it be necessary to remove it, it be removed. Such, in my opinion, are the # books now in the lists. There remain quite a number of authors who can at least on occasion rise to acceptable quality, as evidenced by their being represented in these lists at all, but whose output shows significant variations in quality ("quality" always, of course, meaning "quality as I perceive it"). That category naturally includes a number of writers of middling ability, who can now or then hit the bell; but it also includes a nontrivial number of authors of presumed excellence who nevertheless--to me--seem capable of producing occasioanl potboilers or worse along with their better work. Let us get one thing clear: This is emphatically not a list of "marginal" works of dubious quality. It is simply a list of works not yet read and evaluated, and (so far as I can tell) of unpredictable quality. So, while it doubtless contains a deal of marginal work, and even some drek, it likely also contains not a few wondrous gems. I put it forth simply so that should anyone come to this site looking for some thoughts on where to expand their current reading acquaintance they can have the regular lists--necessarily limited by what one man can read in a given span--augmented by at least plausible suggestions about authors who have already proved, whether once or repeatedly, that they are capable of producing worthwhile reading. Note also that these are by no means complete bibliographies of these writers, even just with the field of speculative fiction. I have, in a few cases, included some limited comments about the author, but only as an aide-memoire, not as any sort of definitive analysis. And I say yet again: I really don't know much about any of these books save that their respective authors have produced at least some work of merit. The ListIn these listings: The standard marks on this site also apply, notably that a * after a book title indicates that it is a collection of tales, not a novel. The key distinction in these lists is that a title that is not boldfaced is a work that I am not sure qualifies as either science-fiction or fantasy. (It may also happen that a title that is boldfaced is not either, since I am going by general repute, not actual rading experience.) Ackroyd, Peter
Adams, Richard
Aiken, JoanAiken wrote numerous novels, most YA, and frankly the "YA" as pect gets tedious. But her short fiction--whether for children, young adults oer not-young adults--simply sparkles, at least based on a couple of books' worth so far. Obviously, some are better than others, but none descend to tedium. Because my sample is still small, I am keeping these here for now, till I read one or two more; but I suspect this entire list will be moved to the main lsts at that time. (These are all short-story collections, and omit a couple of omnibus editions; there are also variant British/American editions of some.)
Amis, Kingsley
Arnason, Eleanor
Attanasio, A. A.
Auster, Paul
Barker, CliveBarker has a much larger oeuvre, but most of it is "horror", which this site does not deal in.
Barrett, NealSome of these may be "mainstream" rather than speculative fiction. Also, Barrett evolved tremendously as a writer, so his earlier work is often not as impressive as his later usually is.
Bisson, Terry
Bryant, Edward
Bulgakov, Mikhail
Cady, Jack
Card, Orson Scott
Chapman, Stepan
Charnas, Suzy McKee
Cherryh, C. J.
Compton, D. G.
Conway, Gerard F.
Cook, Glen
Cooper, LouiseThis is supposedly all of her "adult" fiction--as distinguished from "young adult" and children's books by her--as listed on her own site; but the list is patently incomplete. Nonetheless, it's a starting point for anyone wanting to see more of her output.
Cooper, Susan
Cover, Arthur ByronI now feel fairly confident that all of these will make the lists, but let me try one or two more to be sure.
Dahl, RoaldNone of Dahl's children's books are likely to be less than pleasing, but how many, and which, will make the full lists is hard to say; these are the current contenders.
Dahl also wrote distinctly adult work--some creepy, some sexy, all (or most) well-regarded--which I have yet to sample. Here are the contenders in that arena, though as almost all are story collections there is probably some--possibly much--overlap in contents.
Dalkey, Kara
Davies, RobertsonCaveat: it is unclear which of these, other than the story collection, is or might be speculative fiction. Substantial reading of articles about Davies and his various works does not, for me, lessen the difficulty: one reviewer refers to Davies' work as "novels suffused with something awfully close to magic."
Davis, KathrynWhile most of her novels have a fantastic element, it rarely dominates; in Versailles, for example, Marie Antoinette's ghost is summoned merely as a device to give us a fictional autobiography. But In the other three books here, the fantastic is more strongly present, though never the focus.
Dexter, Susan
Dickinson, PeterDickinson is almost exclusively a "young adult" author. I have tried some other work by him, which is passable reading but not up to the standard I hope these main lists represent. This is the sole potential candidate yet unevaluated here.
Disch, Thomas M.
Dowling, Terry
Duncan, Dave
Ducornet, Rikki
Eco, Umberto
Effinger, George Alec
Eisenstein, Phyllis
Findley, Timothy
Ford, John M.
Foster, M. A.
Friesner, Esther
Gemmell, DavidI have already sampled a few of the books below, and it is my feeling that Gemmell was slipping somewhat, unable to maintain the standard he set with the "Drenai" books. Possibly that is a consequence of his having had the pedal to the metal--his production rate was exceeding high. His segment of the speculative-fiction field is one that requires care and effort in the writing if it is not to quickly degenerate into generic thud-and-blunder, and I suspect he had started been skimping that care; he was well entitled to write as he pleased in order to make money from his work (as did, for example, Michael Moorcock), but we as readers need to be selective in evaluating his work. Caveat emptor . . . .
Goldstein, Lisa
Gray, Nicholas StuartGray specialized in "young adult" work. Some of his output manages that elusive but pleasing charm that makes it pleasant adult reading, but I suspect that one cannot look for that quality in all of his substantial output. What here is bearable adult reading I simply cannot guess.
Hoban, RussellHoban is maddening: he can produce works of genius and works of trash with equal facility. (His biggest problem seems to be keeping a rein on his hebephrenic sense of humor.) These books might all be immortal wonders or all be rubbish. One can only try them one by one.
Hansen, Eric FosnesRegrettably, neither Falcon Tower nor The Lion Woman have yet been translated into English, so I cannot even determine if they qualify as speculative fiction (Hansen's only other translated work, while well received, is not speculative. Holdstock, Robert
Irwin, RobertIrwin is a noted expert on the Orient, and has written respected non-fiction books on the topic. He also writes lush (yet crisply written) fantasy fiction with Oriental settings.
Jerrold, Douglas #In his time, Jerrold was accounted the equal of Thackery and Dickens; there is a long, interesting contemporary homage to Jerrold from the very first issue of The Atlantic Monthly magazine available online. He wrote more novels than just the two listed below, but whether any of the others constitute speculative fiction I don't know yet.
Jackson, ShirleyThere's not much doubt of her writerly qualities; it is the question of whether these books are speculative fiction, horror, or mainstream that keeps them (while yet unread) out of the main lists.
Jones, Diana Wynne
Joyce, Graham
King, StephenKing's work is, first off, hard to segregate as between fantasy and horror (see this Salon ezine article on one of his books). Second, but almost as important, while King at his best is the right stuff, in his later years his reputation was so huge that--by common report--he evaded some very, very badly needed editing. The "Dark Tower" series, which started full of promise, seems to at some point have collapsed under its own weight, King piling Pelion upon Ossa in trying to bring virtually all of his past work into orbit around the tower (a trend often thought to be a clear symptom of "brain-eater disease", Isaac Asimov being frequently cited as another case study).
Le Guin, Ursula K.Ursula K. Le Guin (I guess the initial is to distinguish her from all the other Ursula Le Guins who write) is famous, or notorious, in speculative-fiction circles for maddening inconsistency, to the extent that the clever phrase "good Ursula, bad Ursula" (coined by Doug Muir) has acquired considerable currency. "Bad Ursula" shows up when Le Guin lets her do-good impulses over-ride her writerly ones, and produces a tract rather than a story. She truly is the little girl with the curl ("When she was good / She was very good indeed / But when she was bad she was horrid." -- H. W. Longfellow). The list below doubtless includes samples of both Ursulas.
Lee, TanithThe contents of the various listed story collections probably overlap a fair bit. There is available a complete online bibliography of her work that is an absolute model of how to do a useful online bibliography.
Lewis, C. S.
Lindholm, Megan
Lively, PenelopeLively (quite a name for a writer) has a prodigious output of fiction, including both books for adults and for children; she has seven different literary awards to her name, with some in both areas. Regrettably, none of her explicitly adult fiction seems--so far as I can tell--to be speculative. Curiously, a good deal of her children's work apparently is; but it also seems that much of her children's work is for very young children, and so below the level at which even a wise adult might find pleasing. I have nonetheless listed books here without trying to definitely make an age-based cutoff, because one doesn't know all that much from short reviews. All in all, this woman can write.
Lindsay, DavidLindsay's lesser works (after Voyage to Arcturus) share the same vices and virtues--powerful ideas and grand visions struggling to escape from pedestrian prose--but the balance is, by general report, not as favorable in these; nonetheless, they have their articulate defenders, and are worth at least trying.
Lupoff, RichardLupoff writes wildly diverse material, much of it humorous or even sarcastic. What quality level is present in the works below is impossible to guess, but when he sets himself to it, he can be impressive.
MacAvoy, R. A.
Mark, Jan
Marks, Laurie J.
McDonald, Ian
McIntyre, Vonda N.
McKiernan, Dennis
McKillip, Patricia
Modesitt, L. E.I have in fact read some of the works listed below--but I can't remember just which, so little did each leave with me. Modesitt can pretty well be counted on to be readable, but it is as Nero Wolfe's cook, Fritz Brenner, said of a certain dinner: Mangeable, mais pas mémorable. Well, just in case, here is Modesitt's considerable output.
Monaco, Richard
Nathan, RobertNathan is not much remembered today, save perhaps for Portrait of Jenny, and he is especially conspicuous by his absence from most lists of speculative-fiction writers--despite which (as with Portrait) he regularly used fantastic elements in his work. Perhaps it is that today we do not much value light, pastel-toned tales: which is a shame, and arguably an indictment of our times, and us. Regrettably, with only a very few exceptions, I have no idea which of Nathan's many books are speculative and which not; those I am unsure of are the ones not in boldface below. (Digging the Weans is a masterly little gem of uproarious humor--I first encountered it as a Peter Ustinov recital: true rotfl.)
Nichols, Ruth
Norwood, WarrenHis oeuvre is substantial, but this is the only work not yet listed holding any promise.
Offutt, AndrewOffutt wrote with no great pretensions, and though one of his series managed to make the lists, most of what appears here is all too likely to be sludge (but one doesn't know till one tries it, which is why it's tabulated here). I have at least omitted his actual sf-pornographic works (written under a pseudonym).
Ore, Rebecca
Palmer, Thomas
Park, Paul
Pierce, Meredith
Pinkwater, DanielPinkwater's books are nominally not even "young adult" but actually "children's books"; well, so were Alice and Looking-Glass. Pinkwater is a serious danger to the health, in that one could asphyxiate from laughter reading his stuff. He is prolific, but most of his better work of the sort that belongs on this site has been collected in omnibus editions, which are what are listed below.
Piserchia, Doris
Powers, TimThese are very early works by Powers, and so are listed here rather than being automatically included unread in the main lists.
Priest, Christopher
Resnick, MikeResnick's output is almost comically copious. He is definitely offbeat, and I for one would need to see a lot more before reaching a definite overall-worth conclusion. I have already read a few of the things listed here, but so long ago now that I need to repeat them.
Roberts, KeithRoberts is a heavyweight writer, and I suspect that most or all of these will make the list. Still, when some works of a given writer remain immensely popular while others are almost utterly neglected, I want to make sure.
Rushdie, SalmanRushdie's reputation is not a guarantee: his fantasy Grimus was one of the worst books trees ever died for. But let's see.
Salmonson, Jessica Amanda
Shea, Michael
Shepard, Lucius
Shetterly, Will
Shinn, SharonShinn is, sad to say, another author who blossomed in promise and now seems to be going sideways or even backwards. Well, maybe she's just catching her breath.
Silverberg, RobertSilverberg is one of the Old Hands at the science-fiction game. He is generally held in high repute; while I think he is a decent writer who occasionally rises to something better than just "good", I also think he is--in common with many writers who first made their names forty and fifty years ago, when the overall standard of quality was awful--somewhat over-rated, as I have put it elsewhere, one deemed a giant because he walked among pygmies. Even extracting just the nontrivial novels from his awesomely prolific bibliography leaves the long list below, all of which are at least worth an examination. (I've read several of these, but ages ago, so I do not deem my thin recollections sufficient to rate them now.)
Simak, CliffordSimak is not a millennial author, but his best is good; unfortunately, that means his less-than-best is only fair, sometimes worse. The books on this huge laundry list will just have to be evaluated one by one.
Smith, ThorneVery unlike his other works, this one is a children's book; but by report, it carries Smith's characteristic whimsical wit.
Snyder, Midori
Somtow, S. P.Somtow is capable of good to excellent work, but also of not-so-good work. (I do wish contemporary authors would recover from their acute vampirrhea, fantasy's answer to the hula hoop and the pet rock.)
Spinrad, NormanWhen he forgets to keep telling us how great sex and drugs are, and how screwed power structures are, he actually writes surpassing well; but he rarely forgets.
Stevermer, Caroline
Stewart, Sean
Sucharitkul, Somtow(As you probably know, this is "S. P. Somtow" under his actual name.)
Tepper, Sheri S.Tepper reminds me in some ways of Ursula Le Guin: I'm surprised no one has yet referred to "good Sheri, bad Sheri".
Theroux, PaulTheroux is an esteemed writer of both nonfiction travel books and novels; these books constitute all of his work not yet listed that is, or might be, speculative fiction.
Wangerin Jr., WalterWangerin is a preacherman, and these may be good (like his powerful barnyard duology) or they may be kiddypap.
Wells, MarthaI have in fact read the first item listed below, which is #2 in a trilogy. I am hoping against hope that #3 will rescue it from the mediocrity this otherwise-fine writer has fallen into here.
Williams, Walter JonSome writers are just much better at humor than solemnity, and I suspect Williams may be one, but his other works deserve their turn.
Wolf, Gary K.I am afraid--very afraid--of the Roger Rabbit sequel, but I suppose one must look.
Wrede, Patricia C.
Wyndham, John
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